Calendario

Le classique c’est chic! is a project platform born as a research path with the aim of decolonizing the imagination of classical technique and providing as many people as possible with tools to understand and reclaim their own bodies. The classes for non-professionals constitute the core of this project. Bringing this practice into public spaces, attempting to traverse inhabited and lived-in places, triggers a sense of disorientation: one encounters an unidentified object while simultaneously receiving an invitation to participate. This creates an improvised, colorful, and intergenerational community: those who had planned to join, those who …

Sonoma combines the Greek term soma (body) and the Latin term sonum (sound) to create a work born from the need to return to the origin, to the body, to flesh. From that flesh and organic matter, one can lose oneself in a journey flowing between dreams and fiction, where the human meets the incredible. The surrealism of Luis Buñuel, along with references to an almost medieval dimension, creates a setting straddling Jesuit faith and surrealist freedom, forming the basis of a choreography in which 9 dancers take center stage: almost always united, they change costumes according to imaginative forms that reference Spanish culture, religious …

Is nostalgia not perhaps the mental sweater that wraps around the memories dancing in our minds?Over the years, I have created works that recall the intersection between classical music and the birth of hip hop in my life, but the voices of ’80s and ’90s pop and New Wave have deeply intertwined with my interests and experiences. I wanted to create a work that paid tribute to another side of my influences, highlighting a very particular aspect of what it meant to dance on the back of the yellow and black school buses of my elementary and middle school years, to music made equally by M/A/R/R/S, Suzanne Vega, Salt-N-Pepa, The B-52’s, LL Cool J, …

In a possible future, kneeling in a circle in an undefined field and waiting for a return to life, a group of children come alive in a dance. From this image, inspired by Berruti’s solo exhibition “C’è troppa luce per non credere nella luce” (Belgrade 2011), the YoY Performing Arts project comes to life. Do you remember the future? stems from the idea of exploring the multiple interpretative possibilities of the future and utopia, understood as spaces in which hopes, ideals, uncertainties, and fears intertwine and surface in human life, becoming traces of forgotten thoughts. Utopia, a fantastical representation, is something fragile and …

Inspired by Marcel Proust’s famous Madeleine passage, Tansini explores how sensory experiences can collapse past and present, awakening untamed bodies. At the heart of the project is Tansini’s distinctive physical language, an exploration of the body as an unstable and transformative organism. His work draws the audience into a state of heightened perception, where the seemingly ordinary becomes charged with intimacy and intensity. The performance space serves not only as a backdrop, but as an integral part of the choreography. The result is an experience that lies “between the raw and the refined, between the formal and the wild,” …

In a possible future, kneeling in a circle in an undefined field and waiting for a return to life, a group of children come alive in a dance. From this image, inspired by Berruti’s solo exhibition “C’è troppa luce per non credere nella luce” (Belgrade 2011), the YoY Performing Arts project comes to life. Do you remember the future? stems from the idea of exploring the multiple interpretative possibilities of the future and utopia, understood as spaces in which hopes, ideals, uncertainties, and fears intertwine and surface in human life, becoming traces of forgotten thoughts. Utopia, a fantastical representation, is something fragile and …